My thoughts on Dunkirk

As regular readers will know by now, this blog isn't usually in the business of film reviews, so please don't expect a Mark Kermode or Barry Norman style appraisal. As readers will know, I belong to the generation brought up on the classic British war films of the 1950s and 60s and have an in-built suspicion of anything made later than about 1977. In my opinion at least, many of the more recent films of the genre are pretty ordinary and I struggle to take them seriously. It's difficult for me as a military historian and guide to watch these films without forever nit-picking about the accuracy, or lack thereof concerning the uniforms, the equipment, the aircraft, the ships and so forth, at which point my long suffering friends who have been dragged along to watch the film, usually begin to lose the will to live!

However, the new Dunkirk directed by Christopher Nolan is an important work that has attracted much attention and it was because of this that I decided to go along and watch it for myself at the cinema with (hopefully) an open mind.

I still had a fair amount of trepidation and maybe even some misgivings as I entered the Barbican Centre yesterday and perhaps this was because subconsciously, I was allowing comparisons with the 1958 Ealing Studios version of Dunkirk, which starred Richard Attenborough, Bernard Lee and John Mills to prejudice my thinking and was wondering whether the new film would measure up to this British classic.

Firstly - and this doesn't give away any spoilers - the new Dunkirk cannot be compared to the 1958 film as they look at the evacuation of the British Expeditionary Force (BEF) in completely differing ways. The old film tells the story of the whole campaign and covers the fighting withdrawal through Belgium and northern France to the coast and the subsequent evacuation, as well as telling us something of the mood in Britain, of the complacency of the 'Phoney War' period and how people were shaken out of that complacency with a jolt. By contrast, Nolan's work establishes where the British and French allies are inside the opening shots of the film. They have already been defeated and pushed back inside the Dunkirk perimeter, where the armies await evacuation back to England.

The new film contains very little dialogue and is a series of three separate threads that gradually become interlinked. Firstly we follow the stories of two British soldiers, Tommy and Alex played by Fionn Whitehead and Harry Styles (who can act and does so very well) and their various attempts to get home. Next we see the evacuation through the eyes of a small boat owner, Mr Dawson who is assisted by his son Peter and a deck hand, George. Mr Dawson is a plausible character played with great authority by Mark Rylance as are his two young helpers played by Tom Glynne-Carney and Barry Keoghan. The last of the three stories shows the evacuation through the eyes of Farrier and Collins,  two Spitfire pilots played by Tom Hardy and Jack Lowden respectively. In a nice nod to British war films of an earlier era, we hear the voice of Michael Caine as the RAF Fighter Controller coming over the radios of the Spitfires. As would be expected, the Royal Navy features strongly in this film and one of the major supporting characters is Commander Bolton, played by the excellent Kenneth Branagh, who is the Naval Beachmaster in command of the evacuation through the East Mole (a breakwater) in Dunkirk Harbour.

Without giving too much of the plot away, the film follows the attempts of the two soldiers to get away as various ships they are on board are sunk by bombs, torpedo and gunfire in some harrowing and suspenseful scenes before they are eventually rescued by Mr Dawson and his small boat, the Moonstone. On their way to Dunkirk, Mr Dawson and his son rescue a soldier played by Cillian Murphy, who appears to be the only survivor of a destroyer that has been sunk and who is not surprisingly, suffering from severe shock. He at first unwillingly, becomes part of their crew and we see how the Moonstone is first on the scene when one of the Spitfires is shot down and ditches in the sea adjacent to the small boat. Collins the pilot, is rescued just before the aircraft sinks with him inside it and he too ends up helping the others with the evacuation. The Moonstone, along with the remainder of the armada of small boats eventually reach Dunkirk harbour, where they assist in rescuing Tommy and Alex from their sinking minesweeper, as well as the remaining small craft lifting men from the beaches and from the Mole.

There is much more to the plot than this but I do not want to spoil the film for those wishing to see it for themselves. There are, in my opinion, one or two slight holes in the plot and there are some minor criticisms as to the equipment and the look of some of the scenes. For example, we never see more than one large ship alongside the East Mole at any one time and we know that in reality, the breakwater was used extensively by multiple numbers of destroyers, minesweepers and requistioned ferries. This can probably be explained by budgetary restraints and the director's aversion to using CGI in his films, so this criticism can be tempered by Nolan's quest for realistic looking scenes. Another small gripe is that the beaches never quite looked crowded enough for me, although this can probably be answered in a similar way - you can only have so many extras and the days of a "cast of thousands" are probably long gone. Some of the equipment is not quite right but it is not possible to find an authentic 1940 vintage destroyer or minesweeper without resorting to CGI - the vessels used do by and large, have the right look to them. Also, in one scene, we see container cranes in the background when we are supposed to be in 1940, some thirty years or so before the invention of the shipping container - could these not have been airbrushed out of the picture?

We also see the three Spitfires buzzing across the Channel at wavetop height - this is absurd, as for them to enter into any sort of air combat with the Luftwaffe, they would need to be at height in order to have any sort of advantage with the Bf109s that they were likely to encounter. This was the main reason for the perception amongst the soldiers of the BEF that the RAF were not there to protect them. Of coure, the RAF were there but much of their combat with the Luftwaffe took place at high altitude or inland from the beaches. The Spitfires in the film also seem to have an unlimited supply of ammunition for their machine guns, when in reality the Mark 1 only had enough for fourteen seconds firing. There is also too much emphasis placed on the role played by the 'Little Ships', which in reality were only responsible for lifting between five and seven percent of the total number of 338,226 British and French soldiers evacuated, although they did perform vital work in ferrying men off the beaches. The vast majority of those evacuated were lifted from the Mole at night by the Royal Navy destroyers and minesweepers, as well as the requisitioned ferries and excursion steamers of the Merchant Navy and in this respect, the film does perpetuate the myth of the Little Ships of Dunkirk. My only other very slight criticism is not specifically aimed at this film but is a more general complaint in that it is extremely loud. I know war is loud but whenever I see any film in the cinema these days, the volume in the theatre does always seem to be set at level eleven but perhaps this is more to do with the vagaries of my ears rather than anything else!

However, the above are minor criticisms in the scheme of things and there are a whole lot more positives than negatives about this film. Much of the location filming was shot in and around Dunkirk and that counts for much with me, at least. The three Spitfires we see are all Mark 1s, absolutely authentic for the period. Amongst the ships used for the film, we see MTB 102, which in reality was one of the final vessels to leave Dunkirk in June 1940 and some twelve of the surviving 'Little Ships' were also used in various scenes to recreate the evacuation.

The film is also extremely respectful to the period as well as to the people of this time and succeeds in capturing something of the real spirit of 1940. Also, although there are some understandably harrowing scenes of battle and of ships sinking - it would be impossible to make a film of this nature without showing people getting killed - it is done in a restrained way. There is no gratuitious blood and gore in the way that some recent war films seem to delight in. 

In one important respect, this film does resemble the 1958 version of Dunkirk, as well as many other British war films of the period, in that it is extremely understated and almost modest in the portrayal of events that helped shape history and director Christopher Nolan together with his cast and crew are to be congratulated on having achieved this, especially as this is an American production that covers events from a British perspective during a period that was long before America entered the war.

As has to be the case with any film portraying real life events, much of the action is compressed and many of the characters are amalgams of several real people. For example, Branagh's character, Commander Bolton appears to be a mix of Captain Bill Tennant, the Senior Naval Officer at Dunkirk and of Commander James Campbell Clouston, a Canadian officer in command of the East Mole, who was drowned when his motor launch was bombed and sunk whilst returning to Dunkirk from Dover after a short rest period. Mark Rylance's character, Mr Dawson seems to be at least in part based upon Charles Herbert Lightoller, one time Second Officer of the Titanic, who survived that particular disaster and who in retirement, took his yacht named Sundowner, across to Dunkirk with his son as a deck hand and rescued the implausibly large number of 130 soldiers, squeezed into the cabin and on deck. On arrival back at Ramsgate, the men filed out in a seemingly never ending stream, at which point a bystander suddenly said to Lightoller "God's truth mate, where did you put them all?" a line that is repeated in the film. Some of the exploits of the Spitfire pilot played by Tom Hardy appear to be at least in part based on Al Deere, the New Zealander who became a Battle of Britain 'ace' and who also took part in fierce air combat over Dunkirk.

There was one scene towards the end of the film that even had this cynical old military historian slightly moist eyed. As they disembark from the Moonstone at Dover, one of the young soldiers we have been following and who is by now caked in oil and dirt says to an elderly man who is handing out blankets "I'm not a hero, all I've done is survive." The old man, who we assume is himself a veteran of the previous conflict replies "Well, that's good enough - well done!"

If you haven't yet seen this film, I urge you to do so as I feel it is a respectful and moving tribute to all of those who took part in the real life evacuations some seventy seven years ago.

The First Day of the War: September 3rd 1939

Preparing for War - 1938 (author's photo)

"This morning, the British Ambassador in Berlin handed the German Government a final note stating that unless the British Government heard from them by 11 o'clock that they were prepared at once to withdraw their troops from Poland, a state of war would exist between us. I have to tell you now that no such assurance has been received, and that consequently this country is at war with Germany."

Prime Minister Neville Chamberlain addressed the British people at 11:15 on that fateful Sunday morning and his words are well known now but reactions around the world varied greatly as might be expected.

In Berlin, the British ultimatum was read aloud to Hitler by Dr. Schmidt, the official translator at the German Foreign Ministry. The Fuhrer sat immobile and gazed in silence. After what seemed a long interval, he turned to Foreign Minister Ribbentrop, who was also present and asked "What now?" According to Schmidt, Hitler had a savage look to his face, as though implying that Ribbentrop had misled him as to the probable British reaction. Ribbentrop answered quietly "I assume that the French will hand in a similar ultimatum within the hour."

In London, even before Chamberlain had spoken, the Royal Navy sent the simple cable "TOTAL GERMANY" to it's ships and bases around the world, followed that evening by a further signal "WINSTON IS BACK" advising, or perhaps warning the fleet that Winston Churchill had been reappointed to his First World War role as First Lord of the Admiralty. 

Advice on Shelters (author's photo)

Barely had the Prime Minister finished speaking, when at 11:27 in London, the mournful note of the air raid sirens, which were to become so familiar over the coming almost six years, announced to the capital that an air raid was imminent. Many Londoners, perhaps remembering Stanley Baldwin's assertion that "The Bomber will always get through" reinforced by having read or seen the movie version of HG Wells' 'The Shape of Things to Come' doubtless felt that this might be the beginning of an apocalyptic future for London as outlined by the likes of Bertrand Russell, or indeed the British Air Staff, who in 1938 predicted that 3,500 tons of bombs could fall on London in the first twenty four hours of a future conflict, causing 58,000 fatal casualties and many more injured. Others were doubtless more sanguine but almost everyone was afraid to a greater or lesser degree, although most kept their fear well concealed. In fact, the alert was a false alarm, caused by a French aircraft which had stumbled into Britain's air defence system. The first air raids on London would not come until a year later and although the raids when they did come would naturally bring death and destruction, the consequences were never as remotely devastating as had been predicted. The 58,000 figure of fatalities confidently predicted for London in 1938, was only just exceeded (by 2,000) across the entire country for the duration of the war.

The spectre of Poison Gas (author's photo)

 

Around the World, the British Empire and Commonwealth followed suit - the idea of Britain as 'The Mother Country' seems quaint and outdated today but it was something that still held sway in 1939. Australia and New Zealand declared war immediately, with New Zealand Prime Minister Michael Savage memorably stating of Britain that "Where she goes, we go!" South Africa at first demurred from declaring war and wished to remain neutral, but the Government was defeated in a parliamentary vote and the new Prime Minister, Jan Smuts, declared war on Germany on September 6th. The Canadian Government followed on September 10th.

In Washington DC, President Roosevelt broadcast to the American people hours after the British and French declaration of war and although he had to tread carefully at this stage to preserve American neutrality, Roosevelt nailed his colours clearly to the mast in his intention to stand firm with the democracies of Europe.

"This nation will remain a neutral nation, but I cannot ask that every American remains neutral in thought as well. Even a neutral has a right to take account of the facts. Even a neutral cannot close his mind or his conscience."

As yet unknown to his listeners, the President had already resolved to recall Congress so that his Administration could seek a repeal of the arms embargo and at least passively support the democracies against the Nazi regime.

Confirming the news (author's collection)

Even at this early stage of the war, Hitler was anxious about possible American involvement and his anxiety must have been further increased when news reached him that the war had taken it's first casualties in the North Atlantic, when the liner Athenia was torpedoed by the U-30 at 19:43 that same evening. The vessel was carrying 1,103 passengers, including some 300 American citizens anxious to escape the war now overwhelming Europe and who were returning home via the liner's intended destination of Montreal. 

Mindful perhaps of keeping America out of the war and convinced that Britain and France would soon be looking for a political solution anyway, Hitler had already ordered that passenger ships carrying passengers were to be allowed to proceed in safety, even if part of a convoy but Fritz Julius Lemp, in command of U-30 did not bother to check on the credentials of the Athenia and ordered the firing of a salvo of torpedoes at the defenceless liner. Lemp then compounded his error by surfacing and opening fire on the stricken vessel in an attempt to shoot away her wireless aerials. It was at this point, with lifeboats obviously being filled with passengers that the U-Boat commander realized that he had sunk a passenger ship both in violation of International Law and his Fuhrer's order but he made no attempt to atone for his error and merely submerged without offering any assistance. 

The liner had in fact, sent out a distress signal and was remarkably still just about afloat by the time that rescue vessels arrived on the scene, although she sank later the following morning. The 118 persons killed were the first casualties of the Battle of the Atlantic and included 22 American citizens, which caused outrage in the United States and set the majority of public opinion in that country against the Germans from the outset.

Back in England, aside from the Royal Navy's instructions to the fleet, the other services were taking practical steps to take the war to Germany. At RAF Scampton in Lincolnshire that evening, six Hampden bombers of 89 Squadron under the command of Squadron leader Leonard Snaith took off to attack German warships at the great naval base at Wilhelmshaven. An earlier reconnaissance flight by a single Blenheim bomber from RAF Wyton had confirmed the presence of German warships but the failure of the aircraft's wireless to operate at 24,000 feet had caused a delay in reporting the fact until after it's return to base.

The raid, such as it was, was a fiasco; the crews had already been given strict instructions not to bomb civilian establishments, either houses or dockyards and therefore could only bomb the warships if they were at anchor in the harbour rather than alongside for fear of hitting buildings rather than the ships. As they approached Wilhelmshaven, the weather, already poor, became even worse and the cloudbase dropped to 100 feet. Not really knowing for sure where his squadron was, Snaith took the only decision open to him and turned his squadron for home, dumping their bombs into the sea en route. They eventually reached Scampton at 22:30 but fortunately everyone made it home on this occasion. Those on the follow up raids ordered the next day would not be so fortunate; of the fourteen Wellingtons and fifteen Blenheims despatched, five of the Blenheims were shot down and although they managed to land three bombs on the Admiral Scheer, all of these failed to explode. Ten of the Wellingtons became hopelessly lost and some dropped their bombs on the Danish city of Esbjerg, some 110 miles off target, where they killed two people. Clearly, the RAF had much to learn but at least had tried to take some offensive action.

Churchill in defiant mood (IWM)

The Army had already begun to implement plans for a British Expeditionary Force to be sent to France some ten hours before the declaration of war, when the passenger ship Isle of Thanet sailed from Southampton to Cherbourg with the first advance party of what was to become a sizeable force of over 300,000 men, the majority of whom would be evacuated from France less than a year later.

The conflict at sea was a shooting war from the outset but apart from this and some further costly efforts by the RAF in attempting to bomb German naval targets in daylight without fighter protection, the war was soon to settle down into a period of relative inertia known to the British as 'The Phoney War', the French as 'Drole de Guerre' ('Funny War') or in Germany as 'Sitzkrieg' ('Sitting War.')

This somewhat surreal period was typified by an approach to the war that seems farcical now - for example, when British MP Leo Amery proposed that the RAF drop incendiary bombs on the Black Forest, in order to destroy stocks of ammunition thought to be stockpiled there, he received the reply from Sir Kingsley Wood, Secretary of State of Air, that the Forest was 'private property' and therefore could not be attacked. Wood also stated that armaments factories could not be bombed for the same reason and that furthermore, such attacks might provoke the Germans to mount similar attacks on British factories. The activities of the RAF's bomber force was soon to be limited to dropping leaflets on German cities which no doubt had little effect on the civilian population other than increasing their supplies of scrap paper. 

The Phoney War period was to end suddenly with the Norwegian Campaign in April 1940, one consequence of which was the downfall of Chamberlain's Government and it's replacement with a coalition Administration under Churchill, which saw the country through the dark days of the Fall of France and Low Countries, followed by the evacuations from Dunkirk and the Channel Ports to the defiance of the Battle of Britain and The Blitz and which would eventually see the country to victory in 1945.

Published Sources:

The Battle of the Atlantic - John Costello & Terry Hughes, Collins 1977

The Battle of Heligoland Bight 1939 - Robin Holmes, Grub Street 2009

BEF Ships before, at and after Dunkirk - John de S Winser, World Ship Society 1999

Bomber Boys - Patrick Bishop, Harper Press 2007

London at War 1939-1945 - Philip Ziegler, Pimlico 2002

The World at War - Mark Arnold-Foster, Collins 1973